![]() The music is an « organic » & « orgasmic » evocation of the Posted Friday, Ap| Review this album | Report (Review #32438)Ī deep « abstract » universe offered by this electronic, semi-acoustic meditative The word made in this album is as usual great, and with the sign of TD, giving us and abiental experimentation with great guitars and all the synths which make it unique, but Zeit looks and sound a bit boring for me, i dont know how to explain but it simply dont click with me as the level of Ricochet, Encore or Logos for instance, i repeat, it`s a good album, i like it, but i could skip the songs or try another album and nothing bothers me, the fact is that i doesn`t catch my attention to nominate it as a 5 or 4 star album, so for that i think is a 3 star album, good but non essential. I also wrote a review of Ricochet, which i know is a live album, but actually my favorite TD album and what i love of it (and of the Electronic or ambiental albums in general) is that it catches my attention during all the album, that kind of albums which could be repetitive or even boring at some point, but you can separate of it, it is mantaining you expectant of what`s next or something, with this Zeit album is not the case. I am giving it 3 stars, because i like it, i think is a very good album, but at the same time i think is not comparable as many other Tangerine Dream albums, i mean TD has a huge discography which has been losing it`s essence of progressive electronic sound during the years, the 90`s or 00`s albums that i know are not so good as the 70`s jewels. Posted Monday, Aug| Review this album | Report (Review #32431) Is even tougher than the studio side of UmmaGumma. Music really difficult is that there is absolutely nobeat/rythm tracks to hook you. Nowadays, I never can listen to this more than one "song" at a time. Toughest album to get into in this space/electronic prog genre, but look at theĮxtraordinary line-up - Bauman (long time TD member) and Fricke are also on this one. Trade it of with another much easier TD album (Ricochet). Such insanities and loud rumblings, lugubre sounds, spacey whispers. Of course needless to say I was not ready for that! How can a 14 years old be ready for I knew nothing of theīand and took that one mostly out of the beauty of the asounding artwork of the sleeve. I started my discovery of TD with this album, but never do that. Posted Tuesday, Aug| Review this album | Report (Review #32430) That's probably more the reason for me to like this album. TANGERINE DREAM since the early '90s) hates this album, but that's not my problem. Seen on several TD albums, including "Atem" and the gatefold of "Zeit", and a member of Jerome Froese (Edgar Froese's son, the baby Such thing as a real tune here on "Zeit". Such a far cry from the stuff they did in the mid 1980s, it's not even funny. Ohr had the balls to put out such a record realizing it wouldn't sell. There is no doubt that this album is one long LSD trip. Middle part of PINK FLOYD's "Echoes", but it's actually nothing but wind sounds. Sounding drone with more electronic effects, while the title track basically sounds like the "Origin of Supernatural Probabilities" is mainly one long sinister. ![]() ThenĪt the end is this very trippy, PINK FLOYD like organ. Steve Schroyder makes a guest (he would later join ASH RA TEMPEL for "Seven Up"). This seems to be one ofįricke's last recording with the Moog, before he turned to religion and to the piano andĪway from the Moog. (from Florian Fricke, of POPOL VUH, who was a guest here). Eventually the cellos disappears, and a Moog kicks in ![]() Member of HOELDERLIN), which is extremely sinister sounding, helped further with strangeĮlectronic manipulation of the cellos. "Birth of Liquid Plejades" starts off with a cello quartet (I believe one of the cellists was a Spacy electronic effects that spans over two discs, each piece lasting 17-22 minutes. This was the album that premiered Peter Baumann to the fold, who would stick Giving the ratings I gave it, I'm obviously with theįormer. Genius, others call it a big piece of crap. This is truly an album that divides the listeners big time. Johannes Lucke / cello (1) Releases informationĪrtwork: Edgar with Monique Froese (photo)ĬD Jive Electro - C TANG 3 (1986, UK) New cover artĢxCD Relativity - 88561-8070-2 (1987, US)ĬD Sequel Records - SEQUEL 1034-2 (1996, US) Remastered by Thomas Heimann-TrosienĬD Esoteric Recordings - EREACD 21017 (2011, UK) 24-bit remaster by Ben Wiseman with bonus disc including Live recording at the Grossen Sendesaal des Rundfunkhauses, Cologne, 25th Nov 1972 Peter Baumann / VCS3 synth, organ, vibes Christoph Franke / VCS3 synth, keyboards, cymbals Edgar Froese / glissando guitar, sound generators Origin Of Supernatural Probabilities (20:12)
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